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Comando 297 operator aiming towards the camera in cold backlight

Editorial photography

297 Studio · Leganés · 2024

Black Ops

A conceptual photographic series produced by 297 Studio, translating tactical video-game codes into a dark, precise fiction charged with narrative tension.

Explore the case

Independent, unofficial concept project.

Date and location
Madrid · 2024
Discipline
Editorial photography
Production
297 Studio · Leganés
Nature
Unofficial concept project

The case

Self-initiated project · Comando 297

A visual obsession turned into a world

Black Ops did not begin with a client brief, but with a visual obsession: seeing how far we could take a self-initiated shoot when the idea, atmosphere and execution followed a single direction.

Our starting point was the visual language of tactical video games, special-operations cinema and contemporary combat iconography. We did not want to reproduce a recognisable image, but to understand its visual logic and turn it into original fiction with an identity of its own.

We worked with a group of former military personnel who enjoy airsoft. Their familiarity with equipment, posture and gesture brought a credibility that is difficult to manufacture in front of a camera. That became Comando 297: a fictional unit created as 297 Studio’s visual laboratory.

Starting point
A recognisable visual language that needed to become an original fictional world.
Decision
Build the series through atmosphere, gesture and visual continuity.
Prueba
Group scenes, portraits and action form chapters of the same world.
Five Comando 297 members in formation inside a dark studio
Two Comando 297 members posing back to back in tactical equipment

02 / The challenge

Building tension without turning it into costume

The atmosphere had to tell the story of the operation before any text did.

The challenge was not to photograph uniforms, replicas or action poses. Each image had to suggest that something was about to happen and sustain that tension without becoming decorative, caricatured or contrived.

We needed a cinematic setting where threat, precision and adrenaline could be felt without an explicit story. The staging had to seem part of a larger operation, rather than a collection of isolated portraits.

That balance required precise control over gesture, framing and light. Credibility depended on getting every element to tell the same story, rather than adding more of them.

Two operators coordinating their positions and aiming in the same direction
Close portrait of a masked operator with a visor and night-vision equipment
Operator aiming a short replica towards the camera, with another member out of focus behind
Operator in action outlined by intense frontal light and blue smoke

03 / Visual direction

Light that reveals rather than explains

The visual direction used a restrained vocabulary: black backgrounds, steely tones, cold backlighting, small highlights and extensive shadow. Light does not describe the entire scene; it reveals fragments — a visor, silhouette, gaze or texture — and lets the viewer complete the rest.

Low angles reinforce the characters’ presence, while tight framing turns equipment and the body into graphic material. Smoke and light beams add depth without breaking the sense of a controlled space.

The result sits between editorial portraiture and entertainment key art: realistic in gesture and deliberately cinematic in treatment.

Unit portraits

Vertical portrait of a Comando 297 member with a vest and long replica
Vertical portrait of a masked operator aiming towards the camera
Vertical portrait of an operator amid smoke and a beam of light
Vertical portrait of an operator wearing goggles and holding equipment

The craft

Hands in the foreground visually framing a female operator on set

04 / Process

Credibility starts with gesture

The cast brought something more important than appearance: physical understanding. How they held equipment, moved or looked off-camera helped each pose work as a narrative moment.

The session was produced on 297 Studio’s film set in Leganés, with Davinia Durán, Daniel Palma Arias and Miguel Freire as photography assistants.

Portraits, group compositions and action scenes share colour temperature, contrast and visual rhythm. Retouching by Jorge Millán and Davinia Durán unified that language and gave continuity to the Comando 297 universe.

Gesto
Physical understanding makes each pose convincing.
Continuidad
Group scenes, portraits and action share a colour temperature and visual rhythm.
Editing
The final treatment connects the images into a single series.

05 / Outcome

Visual fiction with an industry-level language

Black Ops turns a self-initiated project into a concrete demonstration of visual judgement. The strength of the series comes from the coherence between cast, light, staging, framing and editing, beyond the equipment or a recognisable aesthetic.

The project extends the portfolio into gaming and entertainment while remaining an unofficial concept. Comando 297 is an original fiction and proof that clear direction can make a previously imagined world visible.

A coherent world
Characters, light and visual treatment sustain the same fiction from beginning to end.
An expandable series
Portraits, action, group scenes and key art let the concept adapt to different formats.
Demonstrated capability
An original idea becomes a complete, recognisable photographic production.
Masked female operator aiming a long replica under blue lighting
Three Comando 297 members advancing together through light beams
Comando 297 operators in an action composition with depth of field

Independent, unofficial concept project.

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Credits

Photography and lighting
Jorge Millán
Retouching
Jorge Millán · Davinia Durán
Photography assistants
Davinia Durán · Daniel Palma Arias · Miguel Freire
Production and location
297 Studio · Film set, Leganés

Photography rights: Jorge Millán.

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